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Helen Seiver
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  • Current and Recent Works
    • 2024 | The Mandorla Art Award
    • 2024 | another way
    • 2024 | Minnawarra Art Awards
    • 2024 | South West Art Now
    • 2023 | Bunbury Biennale
    • ​2023 | Representing Differents
    • 2023 | Emergences - Vasse Felix
    • 2022 | Sculpture at Bathers - Papirri
    • 2022 | Esperance book project
    • 2022 | Royal Perth Art Prize
    • 2022 | Jury Prize - Port Hedland
    • 2022 | South West Art Now
    • 2021 | Dwelling Rituals
    • 2021 | (t)ruth
    • 2020 | Bunbury Fringe Festival
    • 2020 | South Western Times Survey
    • 2020 | Sculpture@Bathers
    • 2019 | Fibre - Holmes a Court Gallery
    • 2019 | Wildflower State
    • 2019 | Alternative Archive
    • 2019 | Bunbury Biennale
    • 2018 | Are we there yet?
    • 2018 | Stations of the Cross
    • 2009-2017 | Gross Domestic Product
    • 2017 | The Spaces Between Us - Adding absence
    • 2016 | The Survey - Cloud Seed Express
  • Older Works
    • 2015-14 | Inflorescience Series
    • 2014 | @home series
    • 2014 | Minnawarra Art Award
    • 2014 | Sculpture by the Sea Cottesloe
    • 2013 | Strangers in my Palace
    • 2013 | Melville Sculpture Walk
    • 2013 | Sculpture@Bathers
    • 2013 | Sticks in my Mind
    • 2012 | Melville Sculpture Walk
    • 2012 | Marsh Art
    • 2012 | Castaways Sculpture Exhibition
    • 2012 | Ladders
    • 2012 | Aurum
    • 2012 | Sculpture by the Sea Cottesloe
    • 2011 | Birdland
    • 2011 | Mt Narryer
    • 2010 | Yarloop Townscape Sculptures
    • 2010 | Home is where...
    • 2010 | Old Mallokup Bridge
    • 2010 | Cnr Boonooloo and Heath
    • 2009 | Now we lie in it
    • 2009 | Whose Flag?
    • 2008 | Space and Place
    • 2008 | It's Child's Play
    • 2008 | Fringe Focus
    • 2008 | River Art
    • 2008 | Endangered Species
    • 2007 | Outside is the Real Place
    • 2007 | Bunbury Bienalle
    • 2006 | Translating Broken Space
    • 2006 | Fact or Fiction
    • 2008 | Standing Safe
    • 2005 | Sight Analysis
    • 2004 | 60 Gladstone Ave
    • Virginia Cunningham
      • Spin Cycle
      • 2009 | Gross Domestic Product
      • Cunning Stunts
  • Media

2024 | South West Art Now

Bunbury Regional Art Gallery

Artist Statement

My work, 'forgiveness', represents my feeling and discomposure in exploring what is sometimes a very uneasy process: that of Forgiveness. To explore this concept I have used a mans jacket and filled it with spinifex, speaking of the discomfort of wearing the anxiety and grief of this processes. The embroidered words to represent the feelings and sensations of that awkwardness. However, this is but one aspect of working to find forgiveness, there is much more and the overall feeling for me is one of radiance and joy.  
The 'Ties' are a further expression of 'wearing' the unease and awkwardness. Embroidered in combinations of Red White and Blue as well as Red Yellow and Black, the threads fix the small stones, soil, spinifex and bird feathers as stakeholders of this story and the place.

The photographic images are taken of a specific site in the Pilbara by Joshua Ledger in an attempt to place the work in the location of the tragedy.

Helen Seiver

© 2014-2024 Helen Seiver | PO Box 95, Capel, Western Australia 6271 |  Email

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