Skip to content
Helen Seiver
  • Home
  • About
    • About Helen - CV
    • Sitemap
  • Current and Recent Works
    • 2024 | The Mandorla Art Award
    • 2024 | another way
    • 2024 | Minnawarra Art Awards
    • 2024 | South West Art Now
    • 2023 | Bunbury Biennale
    • ​2023 | Representing Differents
    • 2023 | Emergences - Vasse Felix
    • 2022 | Sculpture at Bathers - Papirri
    • 2022 | Esperance book project
    • 2022 | Royal Perth Art Prize
    • 2022 | Jury Prize - Port Hedland
    • 2022 | South West Art Now
    • 2021 | Dwelling Rituals
    • 2021 | (t)ruth
    • 2020 | Bunbury Fringe Festival
    • 2020 | South Western Times Survey
    • 2020 | Sculpture@Bathers
    • 2019 | Fibre - Holmes a Court Gallery
    • 2019 | Wildflower State
    • 2019 | Alternative Archive
    • 2019 | Bunbury Biennale
    • 2018 | Are we there yet?
    • 2018 | Stations of the Cross
    • 2009-2017 | Gross Domestic Product
    • 2017 | The Spaces Between Us - Adding absence
    • 2016 | The Survey - Cloud Seed Express
  • Older Works
    • 2015-14 | Inflorescience Series
    • 2014 | @home series
    • 2014 | Minnawarra Art Award
    • 2014 | Sculpture by the Sea Cottesloe
    • 2013 | Strangers in my Palace
    • 2013 | Melville Sculpture Walk
    • 2013 | Sculpture@Bathers
    • 2013 | Sticks in my Mind
    • 2012 | Melville Sculpture Walk
    • 2012 | Marsh Art
    • 2012 | Castaways Sculpture Exhibition
    • 2012 | Ladders
    • 2012 | Aurum
    • 2012 | Sculpture by the Sea Cottesloe
    • 2011 | Birdland
    • 2011 | Mt Narryer
    • 2010 | Yarloop Townscape Sculptures
    • 2010 | Home is where...
    • 2010 | Old Mallokup Bridge
    • 2010 | Cnr Boonooloo and Heath
    • 2009 | Now we lie in it
    • 2009 | Whose Flag?
    • 2008 | Space and Place
    • 2008 | It's Child's Play
    • 2008 | Fringe Focus
    • 2008 | River Art
    • 2008 | Endangered Species
    • 2007 | Outside is the Real Place
    • 2007 | Bunbury Bienalle
    • 2006 | Translating Broken Space
    • 2006 | Fact or Fiction
    • 2008 | Standing Safe
    • 2005 | Sight Analysis
    • 2004 | 60 Gladstone Ave
    • Virginia Cunningham
      • Spin Cycle
      • 2009 | Gross Domestic Product
      • Cunning Stunts
  • Media

2012 | Castaways Sculpture Exhibition

In Conspicuous Danger (Pelecanus conspicillatus)

By using the pelican as a symbol for sea birds and discarded aluminium cans for the rubbish polluting our waterways, this work draws attention to the health of our oceans and rivers, not only vital to many species of birds and animals but also crucial to human survival.

© 2014-2024 Helen Seiver | PO Box 95, Capel, Western Australia 6271 |  Email

footer-facebook-social-social-media.svg