Skip to content
Helen Seiver
  • Home
  • About
    • About Helen - CV
    • Sitemap
  • Current and Recent Works
    • 2024 | The Mandorla Art Award
    • 2024 | another way
    • 2024 | Minnawarra Art Awards
    • 2024 | South West Art Now
    • 2023 | Bunbury Biennale
    • ​2023 | Representing Differents
    • 2023 | Emergences - Vasse Felix
    • 2022 | Sculpture at Bathers - Papirri
    • 2022 | Esperance book project
    • 2022 | Royal Perth Art Prize
    • 2022 | Jury Prize - Port Hedland
    • 2022 | South West Art Now
    • 2021 | Dwelling Rituals
    • 2021 | (t)ruth
    • 2020 | Bunbury Fringe Festival
    • 2020 | South Western Times Survey
    • 2020 | Sculpture@Bathers
    • 2019 | Fibre - Holmes a Court Gallery
    • 2019 | Wildflower State
    • 2019 | Alternative Archive
    • 2019 | Bunbury Biennale
    • 2018 | Are we there yet?
    • 2018 | Stations of the Cross
    • 2009-2017 | Gross Domestic Product
    • 2017 | The Spaces Between Us - Adding absence
    • 2016 | The Survey - Cloud Seed Express
  • Older Works
    • 2015-14 | Inflorescience Series
    • 2014 | @home series
    • 2014 | Minnawarra Art Award
    • 2014 | Sculpture by the Sea Cottesloe
    • 2013 | Strangers in my Palace
    • 2013 | Melville Sculpture Walk
    • 2013 | Sculpture@Bathers
    • 2013 | Sticks in my Mind
    • 2012 | Melville Sculpture Walk
    • 2012 | Marsh Art
    • 2012 | Castaways Sculpture Exhibition
    • 2012 | Ladders
    • 2012 | Aurum
    • 2012 | Sculpture by the Sea Cottesloe
    • 2011 | Birdland
    • 2011 | Mt Narryer
    • 2010 | Yarloop Townscape Sculptures
    • 2010 | Home is where...
    • 2010 | Old Mallokup Bridge
    • 2010 | Cnr Boonooloo and Heath
    • 2009 | Now we lie in it
    • 2009 | Whose Flag?
    • 2008 | Space and Place
    • 2008 | It's Child's Play
    • 2008 | Fringe Focus
    • 2008 | River Art
    • 2008 | Endangered Species
    • 2007 | Outside is the Real Place
    • 2007 | Bunbury Bienalle
    • 2006 | Translating Broken Space
    • 2006 | Fact or Fiction
    • 2008 | Standing Safe
    • 2005 | Sight Analysis
    • 2004 | 60 Gladstone Ave
    • Virginia Cunningham
      • Spin Cycle
      • 2009 | Gross Domestic Product
      • Cunning Stunts
  • Media

2005 | Sight Analysis

Fremantle Arts Centre

Sight Analysis reflects my personal response to the environment and history of the Menzies area after visiting the Anthony Gormley, Lake Ballard installation. As an exhibition it indicates a change from past work which was highly critical of colonial presence. It is a commentary directed by a growing awareness of the complexity of our history and can be viewed as a Site Analysis, that is ...a method for layering biophysical and cultural information about a given place.

The journey to this area of historic mining settlements, now existing as no more than shards and scraps of lives once lived in the harshest of environments, gave me a broader context in which to locate the colonisers, in particular the women.

The inclusion of the two Lake Ballard Landscapes in this exhibition symbolises the change in my personal dialogue with history. They represent looking forward and back in both a physical and symbolic sense. The paintings depict the feeling experienced when standing on the Lake Ballard shore, of looking ahead while being aware of the enormity of the landscape behind.

The work utilises found objects, chosen as signifiers from an era and place, as well as encaustic, soil, oil paint and text from colonial diaries to give focus and context. The layering of these vestiges and traces creates an interstice from which to re present re collections of our shared past.

  • Stories
  • Prospects
  • Menzies
  • Meela
  • Lake Ballard
  • A country without a natural rose
  • Her Story
  • Evening on Ballard
  • Elements and Angles ii
  • Elements and Angles iii
  • Elements and Angles
  • Complexities
  • Band of Hope

© 2014-2024 Helen Seiver | PO Box 95, Capel, Western Australia 6271 |  Email

footer-facebook-social-social-media.svg